Hiroshi Teshigahara (January 28, 1927 – April 14, 2001) was an avant-garde Japanese filmmaker.
He was born in Tokyo, son of Sofu Teshigahara, founder and grand master of the Sogetsu School of ikebana. He graduated in 1950 from the Tokyo National University of Fine Arts and Music and began working in documentary film. He directed his first feature film, Pitfall (1962), in collaboration with author Kōbō Abe and musician Tōru Takemitsu. The film won the NHK New Director's award, and throughout the 1960s, he continued to collaborate on films with Abe and Takemitsu while simultaneously pursuing his interest in ikebana and sculpture on a professional level.
In 1965, the Teshigahara/Abe film Woman in the Dunes (1964) was nominated for an Academy Award and won the Special Jury Prize at the Cannes Film Festival. In 1972, he worked with Japanese researcher and translator John Nathan to make the movie Summer Soldiers, a film set during the Vietnam War about American deserters living on the fringe of Japanese society.
From the mid-1970s onwards, he worked less frequently on feature films as he concentrated more on documentaries, exhibitions and the Sogetsu School and became grand master of the school in 1980.
In 1978, Teshigahara Hiroshi directed the final two episodes of the long running and popular Japanese television series Shin Zatouichi, starring Shintarō Katsu as the blind wandering Yakuza. During Akira Kurosawa's 5 year hiatus from filmmaking, he watched a lot of television an…
| Год | Название | Роль | Тип |
|---|---|---|---|
| 1992 | Dream Window: Reflections on the Japanese Garden | Фильм | |
| 1958 | 有楽町0番地 | Ryoji (Poet) | Фильм |
| Год | Название | Работа | Тип |
|---|---|---|---|
| 1992 | Басара – княжна Го | Director, Writer | Фильм |
| 1989 | 利休 | Director, Writer | Фильм |
| 1985 | Basara no Hana (Flowers of Extravagance) | Режиссёр | Фильм |
| 1984 | アントニー・ガウディー | Director, Executive Producer, Editor | Фильм |
| 1981 | 動く彫刻 ジャン・ティンゲリー | Режиссёр | Фильм |
| 1974 | Затоичи: Слепой мастер | Director, Writer | Сериал |
| 1972 | サマー・ソルジャー | Director, Director of Photography | Фильм |
| 1970 | 1日240時間 | Режиссёр | Фильм |
| 1968 | Человек без карты | Режиссёр | Фильм |
| 1967 | 爆走 | Режиссёр | Фильм |
| 1966 | Чужое лицо | Режиссёр | Фильм |
| 1965 | Jose Torres II | Режиссёр | Фильм |
| 1964 | 白い朝 | Director, Writer | Фильм |
| 1964 | La fleur de l'âge, ou Les adolescentes | Режиссёр | Фильм |
| 1964 | Женщина в песках | Режиссёр | Фильм |
| 1962 | Западня | Режиссёр | Фильм |
| 1962 | 蒼風の彫刻 | Режиссёр | Фильм |
| 1959 | Jose Torres | Director, Director of Photography | Фильм |
| 1959 | Gaudi, Catalunya | Режиссёр | Фильм |
| 1959 | ドラムと少年 | Режиссёр | Фильм |
| 1958 | 有楽町0番地 | Сценарий | Фильм |
| 1958 | 海は生きている | Production Design | Фильм |
| 1958 | 東京1958 | Director, Screenplay, Producer, Editor | Фильм |
| 1958 | 荒海に生きる―マグロ漁民の生態 | Cinematography | Фильм |
| 1957 | 世界は恐怖する―死の灰の正体 | Co-Director | Фильм |
| 1957 | いけばな | Режиссёр | Фильм |
| 1957 | 流血の記録・砂川 | Cinematography | Фильм |
| 1956 | 生きていてよかった | Co-Director | Фильм |
| 1955 | 砂川の人々・麦死なず | Монтажёр | Фильм |
| 1955 | 十二人の写真家 | Режиссёр | Фильм |
| 1953 | 北斎 | Director, Associate Producer | Фильм |