Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget.
In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young director Michael Powell.
| Год | Название | Роль | Тип |
|---|---|---|---|
| 1933 | Baroud | André Duval | Фильм |
| 1926 | Camille | Charles Stewart Parnell | Фильм |
| 1923 | Mary of the Movies | (нет в титрах) | Фильм |
| 1915 | Snatched from a Burning Death | Chandler, the lover | Фильм |
| 1915 | The Evil Men Do | Margaret's Companion | Фильм |
| 1914 | The Moonshine Maid and the Man | Фильм | |
| 1913 | Beau Brummel | Фильм |
| Год | Название | Работа | Тип |
|---|---|---|---|
| 1933 | Baroud | Director, Producer | Фильм |
| 1932 | Baroud | Director, Writer | Фильм |
| 1929 | L'évadée | Art Direction, Producer | Фильм |
| 1928 | The Three Passions | Director, Writer | Фильм |
| 1927 | The Garden of Allah | Режиссёр | Фильм |
| 1926 | Маг | Director, Producer, Adaptation, Screenplay | Фильм |
| 1926 | Mare Nostrum | Director, Producer | Фильм |
| 1924 | Араб | Director, Writer | Фильм |
| 1923 | Скарамуш | Director, Producer | Фильм |
| 1923 | Where the Pavement Ends | Director, Adaptation | Фильм |
| 1922 | Trifling Women | Director, Writer | Фильм |
| 1922 | The Prisoner of Zenda | Director, Producer | Фильм |
| 1922 | Turn to the Right | Режиссёр | Фильм |
| 1921 | Покоряющая сила | Director, Producer | Фильм |
| 1921 | Четыре всадника Апокалипсиса | Режиссёр | Фильм |
| 1920 | Hearts Are Trumps | Режиссёр | Фильм |
| 1920 | Under Crimson Skies | Режиссёр | Фильм |
| 1920 | Shore Acres | Director, Producer | Фильм |
| 1919 | The Day She Paid | Режиссёр | Фильм |
| 1918 | Humdrum Brown | Режиссёр | Фильм |
| 1918 | His Robe of Honor | Режиссёр | Фильм |
| 1917 | The Little Terror | Director, Story | Фильм |
| 1917 | The Flower of Doom | Director, Writer | Фильм |
| 1917 | The Pulse of Life | Director, Writer | Фильм |
| 1917 | The Reward of the Faithless | Director, Scenario Writer | Фильм |
| 1917 | Black Orchids | Director, Scenario Writer | Фильм |
| 1916 | The Chalice of Sorrow | Director, Writer | Фильм |
| 1916 | Broken Fetters | Screenplay, Director, Scenario Writer | Фильм |
| 1916 | The Great Problem | Director, Scenario Writer, Writer | Фильм |
| 1915 | The Galley Slave | Сценарист | Фильм |
| 1915 | The Wonderful Adventure | Scenario Writer | Фильм |
| 1915 | The Song of Hate | Сценарист | Фильм |
| 1915 | Should a Mother Tell | Scenario Writer, Story | Фильм |