Angelo Novi (9 June 1930 – 6 May 1997) worked for thirty years as the exclusive photographer with some of the most known Italian film directors of his time, such as Bernardo Bertolucci, Sergio Leone, and Pier Paolo Pasolini. He studied at the Brera Academy in Milan, and from 1952 on, started to work as a photojournalist. The ability to capture the decisive moment, inspired by idols like Henri Cartier-Bresson and Robert Capa, is an important gist for his photographic style, which later honed in his work as a set photographer.
Novi told his own story through the scenic action captured by his photographs. Emphasis on the decisive moment, the contrast of proximity and distance, and the black and whites, are all attributes of Novi's work. With his photographs, Novi has made a comprehensive contribution to the cultural memory of the golden era of the Italian cinema. As a silent observer, he captured the moments at the film sets both behind the scenes and in action, revealing intimate aspects that cannot be found on the screen.
| Год | Название | Роль | Тип |
|---|---|---|---|
| 1973 | Меня зовут Никто | Bartender | Фильм |
| 1966 | Хороший, плохой, злой | Monk | Фильм |
| Год | Название | Работа | Тип |
|---|---|---|---|
| 1996 | Ускользающая красота | Still Photographer | Фильм |
| 1995 | Фабрика звезд | Still Photographer | Фильм |
| 1993 | Маленький Будда | Still Photographer | Фильм |
| 1990 | Под покровом небес | Still Photographer | Фильм |
| 1987 | Последний император | Still Photographer | Фильм |
| 1986 | Il Bi e il Ba | Still Photographer | Фильм |
| 1984 | Однажды в Америке | Still Photographer | Фильм |
| 1982 | Тальк | Still Photographer | Фильм |
| 1981 | Трагедия смешного человека | Still Photographer | Фильм |
| 1976 | Двадцатый век | Still Photographer | Фильм |
| 1974 | Явление Джо и Маргерито | Still Photographer | Фильм |
| 1974 | Il baco di seta | Still Photographer | Фильм |
| 1972 | Последнее танго в Париже | Still Photographer | Фильм |
| 1971 | За пригоршню динамита | Still Photographer | Фильм |
| 1971 | Злые пальцы | Still Photographer | Фильм |
| 1971 | Конформист | Still Photographer | Фильм |
| 1969 | Золотые копи | Still Photographer | Фильм |
| 1968 | Однажды на Диком Западе | Still Photographer | Фильм |
| 1968 | Теорема | Still Photographer | Фильм |
| 1967 | Little Rita nel West | Still Photographer | Фильм |
| 1967 | Io non protesto, io amo | Still Photographer | Фильм |
| 1966 | Хороший, плохой, злой | Still Photographer | Фильм |
| 1966 | Джанго | Still Photographer | Фильм |
| 1965 | Выбор натуры в Палестине для «Евангелия от Матфея» | Set Photographer | Фильм |
| 1965 | Разговоры о любви | Still Photographer | Фильм |
| 1965 | Евангелие от Матфея | Still Photographer | Фильм |
| 1963 | Растление | Still Photographer | Фильм |
| 1963 | La bella di Lodi | Still Photographer | Фильм |
| 1962 | Семейная хроника | Still Photographer | Фильм |
| 1962 | Мама Рома | Still Photographer | Фильм |