Arthur Robison was a German film director and screenwriter of American origin, recognized for his contributions to German Expressionist cinema. He directed 20 films between 1916 and 1935, with his most notable work being Warning Shadows (Schatten – Eine nächtliche Halluzination, 1923), a silent film celebrated for its innovative use of light and shadow to convey psychological tension. Robison's films often delved into the human psyche, utilizing visual storytelling to explore complex emotions.
| Год | Название | Работа | Тип |
|---|---|---|---|
| 1935 | Пражский студент | Director, Screenplay | Фильм |
| 1935 | Les époux célibataires | Director, Writer | Фильм |
| 1935 | Mach mich glücklich | Режиссёр | Фильм |
| 1935 | Le secret des Woronzeff | Writer, Director | Фильм |
| 1934 | Fürst Woronzeff | Director, Writer | Фильм |
| 1934 | Tambour battant | Режиссёр | Фильм |
| 1933 | Des jungen Dessauers grosse Liebe | Режиссёр | Фильм |
| 1932 | Quand on est belle | Режиссёр | Фильм |
| 1931 | Jenny Lind | Режиссёр | Фильм |
| 1931 | Soyons gais | Режиссёр | Фильм |
| 1931 | Mordprozeß Mary Dugan | Director, Writer | Фильм |
| 1931 | Le Père célibataire | Режиссёр | Фильм |
| 1929 | The Informer | Режиссёр | Фильм |
| 1928 | Die Todesschleife | Director, Screenplay | Фильм |
| 1927 | Der letzte Walzer | Director, Writer | Фильм |
| 1926 | Manon Lescaut | Director, Screenplay | Фильм |
| 1925 | Pietro der Korsar | Director, Writer | Фильм |
| 1923 | Schatten – Eine nächtliche Halluzination | Director, Writer | Фильм |
| 1923 | Zwischen Abend und Morgen | Director, Screenplay | Фильм |
| 1922 | Die Finsternis und ihr Eigentum | Сценарист | Фильм |
| 1917 | Nächte des Grauens | Director, Screenplay | Фильм |