André Albert Auguste Delvaux (21 March 1926 – 4 October 2002) was a Belgian film director. He co-founded the film school INSAS in 1962 and is regarded as the founder of the Belgian national cinema. Adapting works by writers such as Johan Daisne, Julien Gracq and Marguerite Yourcenar, he received international attention for directing magic realist films.
Delvaux received the Louis Delluc Prize for Rendezvous at Bray (1971) and the André Cavens Award for Woman Between Wolf and Dog (1979) and The Abyss (1988). The king of Belgium made him a baron in 1996. The Académie André Delvaux is named after him and he posthumously received the first Honorary Magritte Award in 2011.
André Albert Auguste Delvaux was born in Heverlee, Belgium, on 21 March 1926. He studied piano at the Royal Conservatory of Brussels and worked as a silent film pianist at the Belgian cinématheque in his early 20s. He studied law and took a degree in German philology at the Free University of Brussels, after which he worked as a teacher.
Delvaux's filmmaking career started in 1954 when he began to make television documentaries about film directors for the broadcaster RTB. Notably, he made a four-part series about Federico Fellini in 1960. In 1959 he co-directed a short fiction film with Jean Brismée, La Planète fauve. In 1962 he co-founded the film school INSAS in Brussels and became the director of its directing department. From that point cinema was his primary occupation.
Delvaux's first two feature films…
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| Год | Название | Роль | Тип |
|---|---|---|---|
| 2019 | Zénon l’insoumis, entre Marguerite Yourcenar et André Delvaux | В роли себя (архивные кадры) | Фильм |
| 2005 | Mag Bodard, un destin | В роли себя (архивные кадры) | Фильм |
| 2002 | Antoine Bonfanti, traces sonores d'une écoute engagée | В роли себя | Фильм |
| 1992 | Sur la terre comme au ciel | Le professeur | Фильм |
| 1990 | Janssen & Janssens draaien een film | В роли себя | Фильм |
| 1984 | De droomproducenten | В роли себя | Фильм |
| 1983 | André Delvaux tourne Benvenuta | В роли себя | Фильм |
| 1980 | To Woody Allen from Europe with Love | В роли себя | Фильм |
| 1978 | Ciné regards | В роли себя | Сериал |
| 1972 | Полдень | В роли себя | Сериал |
| Год | Название | Работа | Тип |
|---|---|---|---|
| 1995 | Fin de Siglo | Монтажёр | Фильм |
| 1989 | 1001 Films | Режиссёр | Фильм |
| 1988 | L'œvre au noir | Director, Screenplay | Фильм |
| 1986 | La Fanfare a 100 ans | Режиссёр | Фильм |
| 1985 | Babel opéra, ou la répétition de Don Juan de Wolfgang Amadeus Mozart | Director, Writer, Scenario Writer | Фильм |
| 1983 | Бенвенута | Screenplay, Director | Фильм |
| 1980 | To Woody Allen from Europe with Love | Director, Scenario Writer | Фильм |
| 1979 | Женщина между собакой и волком | Director, Writer | Фильм |
| 1975 | Met Dieric Bouts | Режиссёр | Фильм |
| 1973 | Belle | Director, Scenario Writer, Dialogue | Фильм |
| 1971 | Rendez-vous à Bray | Director, Writer | Фильм |
| 1968 | Un soir, un train | Director, Writer | Фильм |
| 1966 | De man die zijn haar kort liet knippen | Director, Dialogue | Фильм |
| 1966 | Achter het scherm: Les demoiselles de Rochefort | Director, Screenplay | Фильм |
| 1966 | Behind the screens : Jacques Demy’s Les demoiselles de Rochefort - Les décors | Director, Writer | Фильм |
| 1966 | Achter het scherm II | Режиссёр | Сериал |
| 1962 | Le temps des écoliers | Режиссёр | Фильм |
| 1960 | Fellini on “Second Look” | Director, Editor | Сериал |