Erin Weisgerber is a Montreal-based filmmaker originally from Edmonton, Alberta.
Photo-chemical filmmaking is at the core of Erin's practice. She produces poetic single-channel films that hover between figuration and abstraction employing techniques such as in-camera manipulations, hand-processing, and re-photography. More recently she has begun working with film-based installation and performance, incorporating her interests in music, sound art, and electronics. She is excited by the idea of artists' cinema as a scavenger art feeding off the refuse of the film industry. She is equally inspired by Montreal's DIY, underground arts movements and the emergence of an international network of artist-run film labs. Along with creating her own works, Erin contributes to documentary and narrative films as a cinematographer.Erin is a member of the Double Negative Collective, a group of moving-image artists dedicated to the creation and exhibition of experimental and avant-garde cinema and who maintain an artist-run film lab. Her films have played in Canada, France, Italy, Britain, the United States, Iceland and Lebanon.
| Год | Название | Работа | Тип |
|---|---|---|---|
| 2026 | Mers noires | Режиссёр | Фильм |
| 2024 | Partition | Cinematography | Фильм |
| 2022 | Istashraktak | Режиссёр | Фильм |
| 2022 | Dans les Cieux et Sur la Terre | Режиссёр | Фильм |
| 2021 | Сент-Анн | Оператор | Фильм |
| 2019 | Now, Please Think About Yesterday | Режиссёр | Фильм |
| 2019 | From Which Even the Memory of the Darkness Has Vanished | Режиссёр | Фильм |
| 2018 | Quand l'amour se creuse un trou | Lighting Production Assistant | Фильм |
| 2014 | Misleading Innocence (Tracing What a Bridge Can Do) | Оператор | Фильм |
| 2014 | Traces | Режиссёр | Фильм |
| 2013 | L’un ne va pas sans l’autre | Оператор | Фильм |
| 2013 | L'un sans l'autre | Оператор | Фильм |
| 2012 | Tous les papillons n'ont pas le coeur sur la main | Director, Editor | Фильм |
| 2012 | The Sound of Breathing | Режиссёр | Фильм |