Imprints (1969)

Made from image fragments from Will Spoor's footage, it was our first direct foray into the relationship between cinema and visual perception. It has two parts: Retina Imprints, an experiment on the persistence of vision, stretching and reorganizing movement in time, and Memory Imprints, fragments of strange images that remain impressed on the memory. (Arthur Cantrill & Corinne Cantrill)